Alex is attending her first Mi’kmaw spiritual gathering or mawiomi. Though she is timid at first, older cousin Matthew takes her under his wing. Meeting Elders along the way, they learn about traditional Mi’kmaw culture: the sacred fire, drumming, tanning and moccasin decorating, basket- and canoe-making, and enjoy a Mi’kmaw feast. Most importantly, Alex finds her voice in the talking circle.
With contemporary illustrations by the bestselling illustrator Art Stevens, The Gathering is an inclusive story that will educate and entertain Indigenous and non-Indigenous readers alike.
Theresa Meuse is a Mi’kmaq author, born and raised in Nova Scotia. She has worked in many areas involving her culture and presently works as a Mi’kmaq Aboriginal Student Support Worker for the Halifax Regional Center of Education. She is married, a mother of three children and the grandmother of four.
From the bestselling creator of The Thundermaker comes another adventure featuring Little Thunder and Wolverine—a trickster, who is strong and fierce and loyal. The two are best of friends, even though Wolverine can sometimes get them into trouble. Their favourite pastime is eel fishing, whether it’s cutting through winter ice with a stone axe or catching eels in traditional stone weirs in the summer. But that all changes one night, when they encounter the giant river eel—the eel that is too big to catch. The eel that hunts people! At once a universal story of friendship and problem-solving, Wolverine and Little Thunder is a contemporary invocation of traditional Mi’kmaw knowledge, reinforcing the importance of the relationship between the Mi’kmaq and eel, a dependable year-round food source traditionally offered to Glooscap, the Creator, for a successful hunt.
Alan Syliboy grew up believing that native art was generic. “As a youth, I found painting difficult and painful, because I was unsure of my identity.” But his confidence grew in 1972 when he studied privately with Shirley Bear. He then attended the Nova Scotia College of Art and Design, where 25 years later, he was invited to sit on the Board of Governors. Syliboy looks to the indigenous Mi’kmaq petroglyph tradition for inspiration and develops his own artistic vocabulary out of those forms. His popularization of these symbolic icons has conferred on them a mainstream legitimacy that restores community pride in its Mi’kmaq heritage.